Stanely Kubrick's "A Clockwork Orange" is one of the first movies that proved that cinema can be the most enlightening and amazing art form around. Movies have always been a true love for me, but it wasn't until this film challenged me that I fell deeply in love. The first viewing left me speechless, unable to describe how weird and terrible I felt. I thought it was the film that left me in this mood, so of course that was the easy target to blame. It was just a bad movie, overrated and stupid and a waste of time. But upon further thought, I realised the film did exactly what it was supposed to. It showed how the world can be a weird and horrible place, and how this young man who goes around torturing people and being a wicked person ultimately doesn't have to pay for what he does. And it's funny too. So this film brilliantly satirises this world, showcasing pure evil and people who ordinarily do not perform such evil are forced to laugh and observe what we all hate to admit is the truth. It's sick, but at the same time brilliant. And when one gets down to the core, you can't really explain it. It just is what it is. It's real. No one really sees it very often, but it is out there and everyone knows. And no one does anything about it. In essence, "A Clockwork Orange" is the ultimate satire, and one of the ultimate film experiences. It's art, it's life, and in a funky way, it's entertaining.
A Clockwork Orange
Lock, Stock and Two Smoking Barrels
I've avoided this movie for sometime now. Firstly because friends told me that it was 'Pulp Fiction'-ish (and boy do I hate that movie). Secondly, because its British and although I'm from South East London myself and love British television comedies, I have rarely found British humour well translated onto the big screen. Normally it is toned down to plain slap-stick goofy uncomplicated Inspector Cleuseau type humour tailored for American audiences.
But to find not just British, but straight-faced East London cockney-slang and swear filled humour in a really stylish movie was a revelation.
I have always believed that British humor, especially East London humor is much more sophisicated than American humour. Maybe the reason why American audiences have been more forthcoming with LS&2SB is that despite the accent, they finally 'get it' without having to have it remade into an American version, ala Faulty Towers and Threes company and other British comedies. Yet, I believe Tom Cruise is remaking the movie with an American cast. I suppose for those who just cannot understand English unless its spoken in an American accent. That is really a shame as there are so many diverse accents all around the world and LS&2SB could not have been done in any accent other than cockney.
Still, there are bits only the British will get, like the scene with the three guys pouncing on the traffic warden in the back of the van. That scene had me clutching my sides. Only someone living in London can feel true loathing for a traffic warden, the most hated person in Britain.
Cinemtography was superb. I wont go into who's already done the slow-mo's and stop action argument. It is near impossible to do anything in a movie today that has not already been done. You can either do nothing - or do whatever you can as long as it suits the mood and the flow of the movie, and Guy Ritchie just cannot be faulted. He projects the seedy, thin laned, miserable weathered London, yet with such style that you want to see more. The camera work could not have been better. Just see the projection of Eddy's unsteady, light-headed wooziness as he gets up from the gambling table having lost everything and owing even more. Brilliant.
The Soundtrack was as diverse and yet brilliant as I have ever heard in a movie. I dont want to look like waving the Union Jack here, but this movie shows that the British have a more diverse taste in music. From Reggae, to Ska, to Rock, to Mikis Theodorakis every track played just added to the scene showed.
In short, LS&2SB is a movie that just does not stop for a second, is full of refreshing humour, filmed with style, has a lively soundtrack, some violence thrown in for good measure, and a story with more twists and turns than a bowlfull of spaghetti.
Dont let this movie slip you by. You'll either love it, or hate it.
If this movie was not British, I'd give it an 8/10, but since it is, it gets 9/10 from me.
Favourite dialogue: Rory Breaker: If you hold back anything, I'll kill ya. If you bend the truth or I think your bending the truth, I'll kill ya. If you forget anything I'll kill ya. In fact, you're gonna have to work very hard to stay alive, Nick. Now do you understand everything I've said? Because if you don't, I'll kill ya.
Basic Instinct
The 90's was a decade that was blessed with many great movies, yet there are none greater than that of Basic Instinct. It is a truly great film. With Michael Douglas and Sharon Stone heading a wonderful cast, this was one of the great thriller movies I can remember watching. It had everything a movie could want, a bit of mystery, sex, intrigue and murder. There will need to be a pretty good movie to replace this classic from the top as one of the greatest all-time thrillers.
Nick Curran is a disgraced San Francisco police detective who helps investigate the murder of a prominent city official. Curran has a history of alcoholism and drug abuse although he is clean now. Catherine Tramell, the chief suspect, a spoiled rich girl with a background in psychology is toying with Curran's mind. When Curran is taken off the case, he enters into a dangerous relationship with Tramell, which could have bad implications. Soon everyone Curran comes into contact with turns into a suspect.
Undoubtedly, this movie is most famous for it's high level sex scenes that it contains. While I did enjoy them, they are overrated just a fraction. I must admit Sharon Stone has an incredible body and she certainly knows all the moves. These scenes also turned Michael Douglas into a sex manic of sorts and partially ruined his first marriage to Diandra Luker. Yet they create quite a mood for this film and are the main reason why it was the success it was.
The cast was great in this too. Michael Douglas is a Hollywood legend and this film only made him even more popular. His role as a the down and out cop was great. Douglas has some great films to his credit. These include Romancing the Stone, Fatal Attraction (not to similar to Basic Instinct), A Perfect Murder, and of recent Traffic (alongside his second wife Catherine Zeta Jones) and Don't say a word. Then what do you say about Sharon Stone? Before this film she was virtually an unknown, then she stormed on to our screens, without letting audiences take a breathe. Her film credits include The quick and the dead, Total Recall and The Specialist.
Other cast members include Jeanne Tripplehorn, who played Curran's ex-wife and Psychologist Dr Elizabeth Garner. Her role made me feel very anxious to realise what was going to happen. The sex scene involving her was a little hard to take. Then you have the good guy of the film, Gus, played by George Dzundza, but the way we see him go is also too much to handle. One other actress I did recognise, was Leilani Saralle, who played one of Catherine Tramell's gay lover's, Roxy.
Basic Instinct had a very good director, that being Paul Verhoven. He made this film extremely well and any other director might have got it wrong. He has made some other good films including Robo Cop, Starship Troopers and Total Recall. He did do one big flop, that being Showgirls. He commented on that film by saying `I think it was bad too'. I am sorry Paul, but you were right. Basic Intinct's script was pretty good in how it left you dangling. It was like you were in a big game of cat and mouse. I can understand that some people might not like it for that reason, but I thought it was good. The movie also had a great musical score attached to it, giving the movie a chilling feel to it.
So, all in all Basic Instinct is a film that I will always remember. It was so controversial that where I come from, I remember people needed to show there ID to get into the local cinemas, because of its sexual and violent content. I don't blame the cinemas for doing so, because it is not suitable for young eyes to see. If you want to watch a great thriller, then sit down and watch Basic Instinct. Trust me its ‘nice'!
No Country for Old Men
I won't take the time to write a review for this movie--it's not worth the time. Besides, there are many reviews written by others sharing similar feelings about this movie who have described its lack of merit much more eloquently than I could. I just want to say that I'm glad I didn't spend good money to see it.
Although I did enjoy the acting talent of Tommy Lee Jones, Josh Brolin, Woody Harrelson and Kelly Macdonald, the movie itself left me totally unfulfilled. There are more plot holes and leftover loose ends than I can enumerate. How this movie received an academy award nomination is beyond me. The Coen brothers must have a lot of voting and review-writing friends.
There Will Be Blood
Words don't describe Paul Thomas Anderson's latest epic film project, and he doesn't let them dominate the story either. A significant chunk of "There Will Be Blood" has no dialogue and the ability for it to stay so captivating is only a testament to Anderson's incredible ability to tell stories about people through images that says more than about what's happening.
Anderson's weapon in this film is no secret. It isn't often Daniel Day-Lewis's name shows up on a marquee these days, especially when it's not tied to something that is sure to be good. This latest choice of his, however, is better than good and so is he. His character, Daniel Plainview, a self-proclaimed "oilman," is deeply complex and troubled. The way that Day- Lewis plays the lighter parts and seamlessly transitions to the darker parts is chillingly believable. Plainview is not only interesting, but he's embraceable, despicable, amusing and frightening all throughout the film.
The only truly supporting cast is his son and a self-proclaimed prophet that he comes into complications with played by Paul Dano (Little Miss Sunshine). Dano's performance is unfortunately shadowed by Day-Lewis and it does feel like he was too young to be cast, but the 23-year-old is highly impressive and will perhaps be a marquee name in the near future.
"Blood" is otherwise the strength of Anderson and his crew. The original score by Jonny Greenwood, who is mostly known for his guitar skills in Hollywood, brings something abstract that simultaneously fits the film's generally quiet demeanor using a variety of percussion sounds and few musical notes. While some films prefer soaring John Williams themes, Greenwood's theme for "Blood" is one dissonant chord and a sound effect that can be best described as a more painful version of the THX sound system effect. It's harsh, but so is the film. Anderson makes every moment count whether it's when there's music or where he puts the camera.
To best describe the film in terms of people familiar with Anderson's work, it's his first film that truly translates to the interests of all dramatic film-lovers. It is distinctly his film, yet viewers will be able to grasp it much more easily than the abstract and obscure multiple storyline nature of "Boogie Nights" and "Magnolia." For people new to his work, be prepared to feel some discomfort, but if you pay attention to the way the story is told, then you'll find the mastery of "Blood."
Day of the Dead
Zombies rule the USA, except for a small group of scientists and military personnel who reside in an underground bunker in Florida. The scientists are using the undead in gruesome experiments; much to the chagrin of the military. Finally the military finds that their men have been used in the scientists' experiments, and banish the scientists to the caves that house the Living Dead. Unfortunately, the zombies from above ground have made their way into the bunker....
Hollywood classic terrorist thriller series(19)
"Sunshine"
"The Condemned"
"Pumpkinhead Ashes to Ashes"More......
