Words don't describe Paul Thomas Anderson's latest epic film project, and he doesn't let them dominate the story either. A significant chunk of "There Will Be Blood" has no dialogue and the ability for it to stay so captivating is only a testament to Anderson's incredible ability to tell stories about people through images that says more than about what's happening.
Anderson's weapon in this film is no secret. It isn't often Daniel Day-Lewis's name shows up on a marquee these days, especially when it's not tied to something that is sure to be good. This latest choice of his, however, is better than good and so is he. His character, Daniel Plainview, a self-proclaimed "oilman," is deeply complex and troubled. The way that Day- Lewis plays the lighter parts and seamlessly transitions to the darker parts is chillingly believable. Plainview is not only interesting, but he's embraceable, despicable, amusing and frightening all throughout the film.
The only truly supporting cast is his son and a self-proclaimed prophet that he comes into complications with played by Paul Dano (Little Miss Sunshine). Dano's performance is unfortunately shadowed by Day-Lewis and it does feel like he was too young to be cast, but the 23-year-old is highly impressive and will perhaps be a marquee name in the near future.
"Blood" is otherwise the strength of Anderson and his crew. The original score by Jonny Greenwood, who is mostly known for his guitar skills in Hollywood, brings something abstract that simultaneously fits the film's generally quiet demeanor using a variety of percussion sounds and few musical notes. While some films prefer soaring John Williams themes, Greenwood's theme for "Blood" is one dissonant chord and a sound effect that can be best described as a more painful version of the THX sound system effect. It's harsh, but so is the film. Anderson makes every moment count whether it's when there's music or where he puts the camera.
To best describe the film in terms of people familiar with Anderson's work, it's his first film that truly translates to the interests of all dramatic film-lovers. It is distinctly his film, yet viewers will be able to grasp it much more easily than the abstract and obscure multiple storyline nature of "Boogie Nights" and "Magnolia." For people new to his work, be prepared to feel some discomfort, but if you pay attention to the way the story is told, then you'll find the mastery of "Blood."
